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Copyright and Free Trade; Patents and Censorship

Critics of patent and copyright often argue that copyright causes censorship,1 while patents inhibit free trade and competition.2 For this reason, and because of the way the state can use copyright and the fight against piracy as an excuse to clamp down on information sharing and also the Internet itself, I’ve argued that copyright is worse than patent.3

But patent and copyright are not so easily compartmentalized. Patents also give rise to censorship (see, e.g, my post Cato/Reason/CEO brief opposing medical diagnostic process patents as violating freedom of speech [update: Patents Threaten To Silence A Little Girl, Literally.]), and copyright also restricts free trade and competition. Patent law’s effect on speech and expression, and copyright law’s effect on free trade, is not surprising–after all, the price signals of a free market are a type of communication. So interfering with expression has to hamper the market, and hampering the market has to affect price signals, i.e. communications. Censorship affects the efficiency of the market, and intervention in the market suppresses free expression and communication of useful information. (This is one reason patent and copyright ought to be considered similar type of laws, despite protestations by some critics that we have to treat each IP law separately. See my post “Intellectual Property” as an umbrella term and as propaganda: a reply to Richard Stallman.)

We and others have given a lot of attention lately to the danger copyright poses to freedom of expression and also the Internet itself, in the wake of the SOPA battle. (See posts on C4SIF and Techdirt for more information.) But in the wake of the temporary defeat of SOPA, the looming Trans-Pacific Partnership trade agreement (Death by Copyright-IP Fascist Police State Acronym) threatens to exacerbate copyright’s affect not only on free speech and the Internet but on free trade itself.

I noted before (Supreme Court lets ban on “gray market” imports stand; Leveraging IP) how copyright law can be used to stop resales of legitimately purchased products, like Omega watches, by slapping some copyrighted symbol on the product and manufacturing it outside the US to exploit a quirk of US copyright law–and how this could imperil libraries and sales of used books, if the book was made outside the US (Libraries: Prepare to burn foreign books, courtesy copyright law).  As Mike Masnick explains in a recent Techdirt post (below), the TPP may make this even worse, by giving companies selling products the ability to ban secondary markets and resale of the goods they sell consumers–for example, an iPhone. In effect, TPP could allow Apple, for example, to prevent the “owner” of an iPhone from reselling it or even lending it to someone, on the grounds that it was includes copyrighted material (such as  iOS) but was made overseas so that it is exempt from the First Sale doctrine (which normally would permit someone who buys a copyrighted item to resell it, lend it, etc.). One can just imagine ebay and garage sales and gazelle.com being viewed as illegal “piracy” because owners of objects are … reselling them without permission of the original manufacturer.

Scary stuff. Here’s Masnick’s excellent but chilling, post.

Update: For another example of how patent law, not just copyright law, serves to censor free speech: here we have a patent troll using patents to potentially shut down, or impose a heavy tax, on podcasting, and to violate the First Amendment rights of donors to anonymity and privacy.  See UPDATE: EFF Fights Patent Troll Demand For Save Podcasting Campaign Donor Information.

See also Tom G. Palmer, “Intellectual Property: A Non-Posnerian Law and Economics Approach,” Hamline L. Rev. 12, no. 2 (Spring 1989; https://perma.cc/DH7K-ZCRV): 261­­–304, p. 264 (footnote omitted): “Monopoly privilege and censorship lie at the historical root of patent and copyright.”

 

How The US Trade Rep Is Trying To Wipe Out Used Goods Sales With Secretive TPP Agreement

from the trade-for-thee-but-not-for-me dept

For a while now, we’ve been covering the gradual legal assault on the First Sale doctrine and beyond. The First Sale doctrine, of course, is what lets you resell a legally purchased book without having to first obtain permission from the copyright holder. Of course, copyright holders generally hate the First Sale doctrine, because it often means that their products have to compete against “used” versions of their own products as well. Of course, this view is very shortsighted and economically ignorant. A healthy used or resale market has been shown to increase the amount people will pay for new items — because they recognize that there’s a secondary market and they can recoup some of what they paid for the original. Thus a healthy secondary market, contrary to what some believe, can often improve the health of the primary market.

But, there have been a few very questionable lawsuits that are chipping away at the first sale doctrine, starting with the infamous Omega case, in which the watchmaker exploited the phrase “made under this title” to argue that any goods made outside the US were not subject to first sale rights under copyright law, because they were not “made under this title.” That 9th Circuit ruling (which remains in place after the Supreme Court split down the middle — with Kagan abstaining due to her earlier involvement in the case) was one thing, in that there were some limitations. But then the 2nd Circuit went to loony town in suggesting that some books that were legally purchased in Asia could not be resold in the US without permission (i.e. an expensive license). While the district court who reviewed the Omega case on remand recently rejected Omega’s claim as copyright misuse, there is a lot of fear over this issue as the courts sort things out.

The risk of the Omega case goes even further, since it could wipe out the used goods market not just for “content,” but for physical goods as well. That’s because Omega didn’t just exploit the “under this title” part of the law, it exploited copyright law itself. Remember, it sells watches. What do watches have to do with copyright? Absolutely nothing. But Omega’s trick was to create a little design drawing, which it then got a registered copyright on… and then engraved that drawing in a tiny tiny spot on the back of the watch where almost no one will ever notice it. It serves absolutely no purpose… other than to make a physical object subject to the crazy excesses of copyright law. Thankfully the district court saw through that and recognized it was copyright misuse, but who knows what the higher courts (or other circuits) will say.

Of course, all this fighting in the courts over this might be moot if the Trans Pacific Partnership Agreement (TPP) is approved. We’ve been covering the incredibly secretive negotiations over that agreement, including last year’s leaked draft of the IP section. However, we didn’t quite realize the extent to which the US Trade Representative (USTR) and the big industry interests were seeking to use the TPP process to wipe out the used goods market. [continue reading…]

  1. For examples of copyright censorship, see Libraries: Prepare to burn foreign books, courtesy copyright law; The Patent, Copyright, Trademark, and Trade Secret Horror Files); Paramount Trying to Ban “Godfather” Sequels with Copyright; Copyright Censorship versus Free Speech and Human Rights; Excessive Fines and the Eighth Amendment. []
  2. How many examples do we need? See Patent Trolls Cost The Economy Half A Trillion Dollars since 1990; Yet Another Study Finds Patents Do Not Encourage Innovation; EU newsflash: patents are anticompetitive!; Intellectual Property Advocates Hate Competition; IP Rights as Monopolistic Grants to Overcome the Public Goods Problem; also Samsung, Apple continue patent dispute; Apple accuses Motorola, Samsung of monopolizing markets with patents–or, you’ve got to be kidding me; We Hope Apple Wins the Patent Wars; Android Patent Trouble Worsens: Motorola Considers Collecting IP Royalties; Apple vs. Microsoft: Which Benefits more from Intellectual Property?; EU: Apple-Samsung row could be stifling competition; EU Injects Itself Into Apple-Samsung Patent War. []
  3. Patent vs. Copyright: Which is Worse?; Where does IP Rank Among the Worst State Laws?; The U.N. Threat to Internet Freedom; Masnick on the Horrible PROTECT IP Act: The Coming IPolice State; The Ominous PROTECT IP Act and the End of Internet Freedom. []
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Update: See Are anti-IP patent attorneys hypocrites?, collecting various posts about this topic.

***

Writes Rothbard:

[T]here is … a good reason for our paying money to tax lawyers and accountants. Spending money on them is no more a social waste that our purchase of locks, safes, or fences. If there were no crime, expenditure on such safety measures would be a waste, but there is crime. Similarly, we pay money to the lawyers and accountants because, like fences or locks, they are our defense, our shield and buckler, against the tax man.

A similar justification could be made of patent attorneys who help defend companies and people from patent or copyright suits, or to help them acquire patents so that they can be used to defend against patent aggression from competitors.

Related posts:

 

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Diebold Coughs Up Cash in Copyright Case

From the heroic EFF:

Diebold Coughs Up Cash in Copyright Case

False Accusation of Infringement Results in Hefty Payment of Legal Fees, Damages

California – The Electronic Frontier Foundation (EFF) capped its historic victory in a copyright abuse case against electronic voting machine manufacturer Diebold today. The corporation agreed to pay $125,000 in damages and fees. The settlement, a win for free speech advocates, comes after a California district court found that Diebold had knowingly misrepresented that online commentators, including Indymedia and two Swarthmore college students, had infringed the company’s copyrights.

“It makes me happy that students in this situation in the future won’t have to worry about big corporations breathing down their necks,” said Nelson Pavlosky, one of the students.

Diebold is the first company to be held liable for violating section 512(f) of the Digital Millennium Copyright Act (DMCA), which makes it unlawful to use DMCA takedown threats when the copyright holder knows that infringement has not actually occurred. The section also stipulates that anyone who issues such frivolous threats must pay damages, including costs and attorneys’ fees, to those harmed by the misrepresentations.

EFF and the Center for Internet and Society Cyberlaw Clinic at Stanford Law School sued on behalf of nonprofit Internet Service Provider (ISP) Online Policy Group (OPG) and the two students to prevent Diebold’s abusive copyright claims from silencing public debate about voting. Diebold sent dozens of cease-and-desist letters to ISPs hosting leaked internal documents revealing flaws in Diebold’s e-voting machines. The company claimed copyright violations and used the DMCA to demand that the documents be taken down. OPG refused to remove them in the name of free speech.

“The risk of substantial damages and fees should make companies pause before sending unfounded copyright threats,” said EFF Staff Attorney Wendy Seltzer. “Plus ISPs can fight back against these false claims without taking a financial hit.” “As a nonprofit ISP it’s great to have legal recourse when a company threatens us or our clients with frivolous lawsuits,” added OPG Executive Director Will Doherty.

EFF is a member-supported nonprofit which represented OPG and the Swarthmore students pro bono. Thanks to the settlement, Diebold will pay the costs of the case.

Contacts:

Wendy Seltzer
Staff Attorney
Electronic Frontier Foundation
[email protected]

Jennifer Granick
Clinical Director
Stanford Law School Center for Internet and Society
[email protected]

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In previous posts,1 I noted that, due to the monopoly granted by patent, people suffering from the genetic illness Fabry disease are unable to obtain the drug Fabrazyme, which is in short supply because of patents and the FDA. People are literally dying because Fabrazyme is in short supply and the sole, monopolistic manufacturer, Genzyme, can’t make enough quickly enough–and no one else is permitted to make it due to the patent.

Pro bono lawyer Allen Black, representing the victims, just notified me of the press release below, and said:  We just filed a civil rights suit against the government for its role in two drug shortages–including Fabrazyme.   I have attached the press release and the link to the complaint itself is here: http://freepdfhosting.com/3e9cb8c1ad.pdf

Drug Shortage Patients File Lawsuit against DHHS, FDA and NIH Over Two Life-Saving, Injectable Medicines

Pittsburgh, PA – February 21, 2012, — Today, 25 drug shortage patients announced that they have filed a lawsuit against the Department of Health and Human Services (“DHHS”), the Food and Drug Administration (“FDA”), and the National Institutes of Health (“NIH”) over their handling of two ongoing drug shortages.  The first drug, Fabrazyme, is used to treat Fabry disease, but has been severely rationed since June 2009 (manufactured by Genzyme, a Sanofi Company).  The second drug is Aquasol A used to treat vitamin A deficiency but has not been manufactured since November 2010 (manufactured by Hospira Corporation).

Patients are arguing that their constitutional rights were violated by FDA licensees saying “no” to state-authorized prescriptions and that the FDA has failed to take adequate enforcement actions against their licensees.   The complaint is available here: http://freepdfhosting.com/3e9cb8c1ad.pdf

Patients argue that in failing to address the drug shortage issues, the DHHS, FDA and NIH have interfered with the treatment decisions of state-licensed physicians and endangered patients’ health and the public health. Patients argue that the government’s actions violate (1) patients’ the 5th Amendment right to due process (2) the states’ 10th amendment right to protect the public health and (3) patients’ individual right to medical privacy and their right to control their own bodies.

Patients’ requests include asking the court to supervise the allocation of the currently limited supplies of drugs based on constitutional principles and medical oversight.  Patients request that drug companies be enjoined from creating secret waiting lists naming and ranking individual Americans for access to shortage drugs based on their private medical information or otherwise retaliating against patients by withdrawing or re-ranking access to medication. [continue reading…]

  1. Update: Patents Kill: Compulsory Licenses and Genzyme’s Life Saving Drug and Patents Kill: Compulsory Licenses and Genzyme’s Life Saving Drug, FDA and USPTO: Joint Killers []
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HTML5 To be Broken to Protect Copyright?

As discussed on Tech News Today 443:

Proposed web standard would allow copy protection on HTML5 video, but is it ‘unethical?’ http://www.theverge.com/2012/2/23/2818918/html5-streaming-copy-protection-w3c-standard-proposal
. “Unethical” HTML video copy protection proposal draws criticism from W3C reps http://arst.ch/sky
. – A proposal by developers from Google, Microsoft, and Netflix would add copy-protecion from streaming and downloadable video as part fo the HTML 5 standard
– The structure would rely on a “content decryption module” or CDM that could operate independently of the browser, possibly through hardware or firmware. With the CDM in place, a company could then send a key to decrypt a given portion of HTML.
– Google’s Ian Hickson, for example, called the proposal “unethical,” and said that in any case, it did not provide enough content protection to make it worth implementing.
– Mozilla’s Chris Pearce, meanwhile, asked how the proposal would affect open source browsers, which could theoretically be patched to allow people to capture streaming video or audio.
– Netflix’s Mark Watson said that while hardware solutions could solve some of these problems, such browsers would need
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YouTube Identifies Birdsong As Copyrighted Music

YouTube Identifies Birdsong As Copyrighted Music

Posted by timothy
from the estate-of-john-cage-winces-with-envy dept.
New submitter eeplox writes “I make nature videos for my YouTube channel, generally in remote wilderness away from any possible source of music. And I purposely avoid using a soundtrack in my videos because of all the horror stories I hear about Rumblefish filing claims against public domain music. But when uploading my latest video, YouTube informed me that I was using Rumblefish’s copyrighted content, and so ads would be placed on my video, with the proceeds going to said company. This baffled me. I disputed their claim with YouTube’s system — and Rumblefish refuted my dispute, and asserted that: ‘All content owners have reviewed your video and confirmed their claims to some or all of its content: Entity: rumblefish; Content Type: Musical Composition.’ So I asked some questions, and it appears that the birds singing in the background of my video are Rumblefish’s exclusive intellectual property.”

(h/t Peter Surda)

The video is here (and below); a discussion thread is here. In the discussion, according to a friend, “people bring up
different examples of copyright (ab)use on YouTube.” However, as I responded:

I don’t think it’s abuse of the system. I don’t know what copyright abuse is. I don’t think copyright abuse is really possible. All these things are natural outcomes of having a copyright system.

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Michael Jordan claims ownership of number 23

From NBCSports: more trademark insanity (for more, see The Patent, Copyright, Trademark, and Trade Secret Horror Files). (h/t Skip Oliva)

Michael Jordan sues Chinese apparel company

Feb 22, 2012, 10:30 PM EST

It’s been 14 years since Michael Jordan stepped on an NBA court (Washington? I choose not to remember that stop) and he is still the most valuable brand in basketball worldwide. By miles and miles and miles.

Which is why NBA legend and current Bobcats owner Jordan — along with — Nike has a team of lawyers that protect that brand. And they have turned their guns on a Chinese firm, Qiaodan, and sued the company that manufactures sports apparel and shoes.

You don’t know that name but that is the nickname Jordan has gone by in China since he first came to popularity nearly three decades ago. This is a clear attempt to profit off his name.

In a statement released through his spokeswoman, Jordan says he’s worked hard to establish his name and calls the issue “deeply disappointing to see a company build a business off my Chinese name without my permission, use the number 23 and even attempt to use the names of my children.”

Read more>>

 

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Tabarrok: Defending Independent Invention

Alex Tabarrok has a good post up arguing that patent law should provide an independent invention defense (and he cites my post Common Misconceptions about Plagiarism and Patents: A Call for an Independent Inventor Defense). Some of the commentators are right that the recently enacted AIA does now provide a broader prior user right than before, which goes some way to providing a type of independent invention defense, but not far enough (see my posts The American Invents Act and Patent Reform: The Good, the Meh, and the Ugly and Prior User Rights and Patent Reform). Tabarrok is right that there should be an independent inventor defense, but still seems to accept the confused idea that there is something wrong with imitation:

Independent invention should be a defense in a patent infringement lawsuit. An independent invention defense would allow Kelly to exclude imitators but would prevent Kelly from excluding an independent inventor such as Pat.

Imitation and emulation are what market competition is about. There is nothing wrong with competition and imitation, despite protests of IP advocates, who really have a problem with “unbridled competition.”

Tabarrok also cites a couple of useful papers: Samson Vermont’s 2006 paper Independent Invention as a Defense to Patent Infringement, and Christopher Anthony Cotropia and Mark A. Lemley’s paper “Copying in Patent Law,” which shows that in most patent lawsuits, copying is not even alleged by the plaintiff.

 

Defending Independent Invention

by on February 23, 2012 at 7:35 am in Economics, Law | Permalink

In the minds of the public someone who infringes a patent is like a plagiarist or a thief–the infringer has copied someone else’s work or, even worse, stolen their intellectual property. In reality, patent infringement has very little to do with copying or theft. Here’s how I described what is probably closer to the paradigmatic case of patent infringement in Launching the Innovation Renaissance:

Two inventors, Kelly and Pat, work independently, neither aware of the other’s existence. Kelly patents first. Under the present law, if Pat wants to sell or even use his own invention, he must pay Kelly a license fee (!) even though Pat’s idea came from his own head and no other.

If independent invention were uncommon this type of case wouldn’t be important but independent invention is very common. Classic cases include Newton and Leibniz with the calculus, Alexander Graham Bell, Elisha Gray and Johann Philipp Reis with the telephone, Ohain, Campini, and Whittle with the jet engine and so on. And if independent invention  is common with great discoveries and inventions then it is surely much more common with ordinary innovations. As a result, it’s not surprising that most patent cases don’t even allege copying.

Independent invention should be a defense in a patent infringement lawsuit. An independent invention defense would allow Kelly to exclude imitators but would prevent Kelly from excluding an independent inventor such as Pat.

Inventors should not have to pay to use their own ideas! An independent invention defense is not only just, it also has good economic properties. An independent invention would create more competition. On the one hand, this does reduce the “pot of gold” incentive to create new ideas, the winner of a patent race might have to sell as a duopolist rather than a monopolist.  In this case, however, there are several reasons why we wouldn’t expect the number of ideas to fall and innovation could even rise.

First, firms today are often surprised to find that they are being sued for patent infringement. An independent-inventor defense would give inventors greater security in their ideas, thus increasing the incentive to invest. In this age of cumulative innovation often what innovators want most is the security that they can build on what they have produced already. Lawsuits and associated transaction costs would also be reduced.

Second, the type of inventions that are most likely to be independently invented are those with high value relative to their cost. Thus, an independent-invention defense would automatically tend to offer smaller rewards to low-cost innovations and larger awards to more costly innovations, this is exactly the optimal rule discussed in my paper Patent Theory versus Patent Law (pdf) but unlike the system described in that paper it does not require anyone to examine an inventor’s costs.

The patent system is supposed to be about increasing the progress of science and the useful arts but to often it ends up cudgeling the very people it is meant to protect, the independent inventors.

Addendum: Joe Mullin has a good post on copying and patent as does libertarian patent attorney Stephan Kinsella. Samson Vermont, my colleague at GMU law, has a longer paper on the independent inventor defense that discusses details of implementation.
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EU Asks High Court to Decide if ACTA Infringes on Rights

From PCMag.com:

EU Asks High Court to Decide if ACTA Infringes on Rights

The controversy surrounding the Anti-Counterfeiting Trade Agreement (ACTA) has prompted the European Commission to ask Europe’s highest court to assess whether the deal is incompatible with the fundamental rights and freedoms afforded to Europeans.

The commission wants the court to determine if ACTA infringes on rights like “freedom of expression and information or data protection and the right to property in case of intellectual property,” EU Commissioner Karel De Gucht said in a Wednesday statement.

He stressed, however, that “ACTA will not censor websites or shut them down; ACTA will not hinder freedom of the internet or freedom of speech.” But a judicial review will provide some clarity on these issues, De Gucht said.

Read more>>

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Kinsella with David Hutzelman Discussing IP and SOPA

I was a guest on HMS-TV tonight, 6:30-7:30 pm CST (Houston’s Public Affairs Public Access Live program), with host David Hutzelman. We discussed IP, SOPA, etc. We tried to find a local intelligent and civil pro-IP libertarian or Objectivist to debate me, but no luck (no surprise: There Are No Good Arguments for IP).

The video is available on YouTube here, and streamed below:

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See Mike Masnick’s Techdirt post below about Pinterest and its potential copyright problems. Other services that copyright has damaged or destroyed or is now threatening: Napster;  Wikileaks; 3D-printing; Grooveshark, MegaUpload and other cloud  storage and file sharing services like Dropbox, YouSendit, YouTube, etc.

The Pointless Copyright Freakout Over Pinterest

from the same-old-song dept

I’ve been debating whether or not it’s worth doing this post for a few weeks now, but with so much sudden interest in Pinterest and how it fits in the copyright scheme of things, people keep asking “when,” not “if,” we were going to write about it, so we might as well tackle it. If you don’t know, Pinterest is an insanely popular social network of sorts, built around the concept of “pinning” images you like, creating collections of such images and sharing them with your friends. It’s been the buzz of Silicon Valley for quite some time, and hit the mainstream in a big way a few weeks ago. Lots of commentators like to point out that it’s widely used by women — because that’s apparently noteworthy in contrast to the typical internet buzzy services that get the usual “early adopters” who tend to be more of the male persuasion. Either way, it’s crazy popular. I first heard about it in the context of teenagers sharing “looks” — creating effective collages of images of clothing/style/accessories and sharing them with friends in a “wouldn’t this look nice” kind of way.

But, as Pinterest hit some sort of inflection point right around the Super Bowl (with the help of Facebook integration), a bunch of people started noticing that there were some significant copyright questions involved. After all, the basic way it works is you make use of images you find online and “pin” them into a collection. But if you don’t have the rights to use those images, is it infringement? Some are pretty sure that it violates the law in that it wasn’t clear it would really qualify for fair use — and there were also some questions about how thoroughly it complied with DMCA takedown requests. Either way, the issue began to explode with a ton of articles all discussing the copyright questions.

As this suddenly got so much more attention, Pinterest just rolled out a “nopin” meta tag, which allows website owners to basically block images from a site from being easily “pinned” to a Pinterest collection. Depending on who you listen to, this either answered all the copyright questions or merely represented a “small step” towards dealing with them. For angry photographers, I’d bet they’re going to claim the latter is more accurate, if they’ll even grant that much.

There’s also a separate, but related, issue concerning Pinterest’s terms of service that includes some boilerplate language that pretty much every online service includes and when someone reads them for the first time, they freak out about how Pinterest is claiming too many rights over the uploaded works. This is an exaggeration — and we’ve seen the same thing happen with TwitPic and others, where the terms are there to make sure you’re granting the site an effective license to display the works, and not as some nefarious plan to claim ownership of the works.

Either way, the community that’s been most vocal about Pinterest and how it’s something evil are photographers. While there are plenty of photographers who are quite reasonable on copyright issues, for some reason, it seems like photographers often can be the most extreme on copyright issues, and it’s no different here.

However, it seems like (as the music industry did with Napster, and now the movie industry has done with cyberlockers), they’re getting the wrong message out of what’s happening online: these services are opportunities, not threats. If you want to understand why, I recommend reading (thoroughly) a recent blog post by photographer Trey Ratcliff, who goes into great detail not just about how Pinterest has been really useful for him (including in driving revenue), but that photographers need to stop treating everything as a threat, and start looking at these things as opportunities. Again, you should read the whole thing, but here are a few useful snippets. Ratcliff points out that treating everything as a threat means that you spend all your time trying to angrily shut stuff down, rather than getting your work out there. But there are real advantages to getting your work out there (and he explains why it should be high res, and without watermarks, contrary to the standard way that many photographers do thumbnails with annoying watermarks):

Most people in the world are good people. If they find digital art they want to buy for a print or use in a commercial campaign, they will figure out a way to get you money. 99% of your traffic is truly “window-shoppers.” They will look at your goods, take note, enjoy them and move on. But 1% will want to make a personal or business transaction with you….

[….]

StuckInCustoms.com has healthy traffic that grows every year thanks to good old-fashioned word-of-mouth. We don’t advertise or buy links or any of that stuff. So I depend on the Internet and nice people like you to link back to the site and tell your friends that you find something unique and cool.

Last month, we had 714,143 Pageviews and 234,107 unique visitors. 15% of this traffic came from Pinterest. Amazing! If Pinterest didn’t exist (a reality some photographers would prefer), then our traffic would be 15% less. Choosing to switch-off innovation is a fool’s errand, especially in today’s world. It reminds me of the scene in Anthem where the council of candle-makers becomes rather upset at the invention of the light bulb.

[….]

Someone on Pinterest can make a board called “Feeling a bit blue,” and they can fill it with cool-colored melancholy photos. Isn’t this just another way of making a poem? If I built up this pinboard and sent it to a friend, it’s nothing but a visual poem in a new medium. It’s just as powerful, and, in many ways, more accessible.

Pinterest is simply another way (a newer, evolving way, mind you) for humans to communicate with one another. It is increasingly the job of digital artists to inspire, share and bring more beauty and communication into the world.

There really is a lot more there, and it’s worth reading the whole thing. Also, Ratcliff appears to be an absolutely awesome photographer, so I recommend checking out his work too.

Either way, his point is a strong one, and it’s really no different than what many people have made to reactionary folks in other parts of the content industry. You can spend all your time trying to kill innovation or stop people from doing what they want to do… or you can bask in the wonderment that people want to do stuff, encourage them to do so, and make it easier for them to help spread your works… all the while making it easy for them to support you. Ratcliff seems to be a perfect example of our discussion on the benefits of being open, human and awesome.

And, in the end, that’s the key point. Whether or not Pinterest is a copyright landmine is kind of besides the point. It’s a really fascinating innovation that is having massive (unprecedented) success in terms of users. Clearly, it’s tapped into a market by providing something that a very large number of people absolutely love. When that happens, there are always opportunities, and smart photographers should be focused on finding and embracing those opportunities.

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As can be seen here. (h/t Skip Oliva)
022212 West

This reminds somewhat of the practice of lawyers sending cease-and-desist letters and then claiming copyright in them to stop them from being posted, as noted here:

  • http://www.techdirt.com/articles/20071005/174623.shtml: “In an apparent attempt to avoid the Streisand Effect, lawyers sending threat letters sometimes claim that the recipient would violate the firm’s copyright by posting it online. This post is about Public Citizen’s response to one dumb threat letter and its decision to post the letter online despite the copyright claim.” It’s funny how popular it has become for lawyers to claim it’s illegal to post or even show anyone their cease-and-desist letters. Remember: just because a lawyer says so, it doesn’t mean it’s true. You can see Public Citizen’s response to the letter (pdf), which lays out a variety of reasons why the cease and desist is ridiculous (it’s yet another attempt to force criticism offline) and ends with a fantastic response to the claim that the original C&D is covered by copyright and cannot be posted online without additional charges: http://www.citizen.org/documents/directbuycd.pdf: sometimes such letters conclude: “Please be aware that this letter is copyrighted by our law firm, and you are not authorized to republish this in any manner. Use of this letter in a posting, in full or in part, will subject you to further legal causes of action.”
  • Court Says You Can Copyright A Cease-And-Desist Letter, Techdirt (Jan. 25, 2008)
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From Infojustice.org:

Trans-Pacific Partnership Proposes Copyright Suppression of Price Competition

February 21, 2012 By John Mitchell 4 Comments

Dissatisfied with the exclusive right to set the price at which copies of their works are first sold, copyright holders have been trying, for over 150 years, to bolster the resale prices at which copies of their works are re-sold, in order to protect them from the normal pressures of free market price competition. Since they no longer own the copies, they have tried extending the reach of their exclusive right to “distribute” copies to encompass copies they no longer own. For just as long, the courts and Congress have rebuffed those efforts. Today, however, the United States Trade Representative is negotiating with foreign countries to obligate Congress and the courts to give them that power, even as their latest in a series of efforts to extend the existing distribution right is pending before the Supreme Court.

When Mark Twain tried to prevent dealers in his books from offering discounts to retailers, he lost. Clemens v. Estes, 22 Fed. 899 (C.C.D. Mass. 1885). When the publisher of The Castaway tried to use its copyright to prevent Macy’s from reselling the books for less than a dollar, it lost. Bobbs-Merrill Co. v. Straus, 210 U.S. 339 (1908). The following year, Congress said “it would be most unwise to permit the copyright proprietor to exercise any control whatever over the article which is the subject of copyright after said proprietor has made the first sale.” H.R. Rep. No. 2222, 60th Cong., 2d Sess., at 28-29 (1909), and wrote that principle into law. Going beyond the judicially created “first sale” doctrine, Congress decreed that anyone in lawful possession of a copy was free to distribute it without the copyright owner’s permission, and established the copy/copyright dichotomy that ownership of “copyrights” is distinct from ownership of “copies,” such that ownership of one has no bearing on ownership of the other. (Section 41, Copyright Act of 1909.)  After courts wrestled with that a bit, and determined that Congress probably did not mean for it to apply, literally, to someone in lawful possession of a pirated copy, or to someone holding a copy in trust for someone else (see, e.g., Platt & Munk Co. v. Republic Graphics, Inc., 315 F.2d 847 (2d Cir. 1963)), the Copyright Act of 1976 clarified the statute, placing the copy/copyright dichotomy into the new Section 202, and explaining, in Section 109, that the “owner” of a copy, “lawfully made under this title,” is entitled to redistribute it without the consent of the copyright holder.

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Duke Scholars Join Boycott Against Elsevier

Update: see Copyright Continues to Crumble; Ebooks Libertated from DRM; Gatekeepers Quake; Even Harvard Can’t Afford Subscriptions To Academic Journals; Pushes For Open Access.

Duke Scholars Join Boycott Against Elsevier

Daubechies is one of the latest to speak out against the practices of large academic publishers

February 14, 2012 | Ashley Yeager
Ingrid Daubechies

Mathematician Ingrid Daubechies is among nearly 6,000 scholars boycotting Elsevier journals. Image courtesy of Ingrid Daubechies, Duke.

Durham, NC – One of Duke’s most prominent scientists has joined a protest against a leading academic publisher, adding her name to a growing list on campus and at universities elsewhere.

Mathematician Ingrid Daubechies says she will no longer publish, referee or do editorial work for the Amsterdam-based academic publisher Elsevier. She joins biologists Laryssa Baldridge and Eric Butter, mathematician Mark Iwen, economist E. R. Weintraub and other Duke faculty members in publicly boycotting the publisher.

They and nearly 6,000 other scholars around the world seek to draw attention to what they consider Elsevier’s unfair business model and restrictions on the free exchange of information.

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