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As I noted in The tepid mainstream “defenses” of Aaron Swartz, patents impose hundreds of billions of dollars of cost on the economy and impede and distort innovation and competition; patent literally kill people (millions of people have died from AIDS in Africa because Big Pharma and the US have blocked generic drugs in the name of patents; by making cars less safe; by denying lifesaving drugs to people with Fabry disease); patents even impose censorship, and are threatening the entire industry of podcasting; patents give rise to free trade restrictions by blocking drug reimportation.

Update: see also Why Chemotherapy That Costs $70,000 in the U.S. Costs $2,500 in India.

Update: Ebola Vaccine Delay May Be Due To An Intellectual Property Dispute (2014). Also: see here regarding patent-related shortages of the Anthrax drug Cipro during the Anthrax scare a few years ago.

For more elaboration on the AIDS issue noted above, see this Democracy Now post. Makes me think we ought to move IP up a notch or so on the list of bad state laws (Where does IP Rank Among the Worst State Laws?).

“Fire in the Blood”: Millions Die in Africa After Big Pharma Blocks Imports of Generic AIDS Drugs

The new documentary, “Fire in the Blood,” examines how millions have died from AIDS because big pharmaceutical companies and the United States have refused to allow developing nations to import life-saving generic drugs. The problem continues today as the World Trade Organization continues to block the importation of generic drugs in many countries because of a trade deal known as the TRIPS Agreement. We’re joined by the film’s director, Dylan Mohan Gray, and Ugandan AIDS doctor Peter Mugyenyi, who was arrested for trying to import generic drugs, and is recognized as one of the world’s foremost specialists and researchers in the field of HIV/AIDS.

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Kinsella vs. Wenzel on IP

Bob Wenzel and I have agreed to have a joint podcast debate-discussion about IP. We discussed this over a week ago. I thought we would do it sooner, but Wenzel says he needs until April, so we are planning to do it April 1, for podcast release by April 7 or so.

[Update: see

]

For background: Wenzel is an Austro-libertarian (I think) but one of the dwindling number who still supports some form of IP. For previous posts about all this, see:

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Mark Cuban’s Proposals to Improve Patent Law

As I noted in The tepid mainstream “defenses” of Aaron Swartz, the patent system is imposing devastating costs on life, property, and liberty:

Patents impose hundreds of billions of dollars of cost on the economy and impede and distort innovation and competition; patent literally kill people (millions of people have died from AIDS in Africa because Big Pharma and the US have blocked generic drugs in the name of patents; by making cars less safe; by denying lifesaving drugs to people with Fabry disease); patents even impose censorship, and are threatening the entire industry of podcasting; patents give rise to free trade restrictions by blocking drug reimportation.

Most people are bamboozled by assurances from bespectacled authorities that we “need” such laws, but not everyone falls for their propaganda. Brilliant entrepreneur Mark Cuban sees through this nonsense; see my previous posts Mark Cuban Bashes Patents on Shark Tank;  Mark Cuban Funds EFF’s New ‘Mark Cuban Chair To Eliminate Stupid Patents’Mark Cuban: Patent law is killing jobs.

In Mark Cuban’s Awesome Justification For Endowing A Chair To ‘Eliminate Stupid Patents’, Cuban proposes some changes to patent law. Every one of these is a good idea, each of which I have proposed before. See, e.g., my post

How to Improve Patent, Copyright, and Trademark Law, which suggests the following changes to patent law (the ones Cuban also favors are bolded):

  • Reduce the Patent Term
  • Remove Patent Injunctions/Provide Compulsory Royalties
  • Add a Royalty Cap/Safe Harbor
  • Reduce the Scope of Patentable Subject Matter [Cuban: no software or design patents]
  • Provide for Prior-Use and Independent-Inventor Defenses
  • Instantly Publish All Patent Applications
  • Eliminate Enhanced Damages
  • Add a Working/Reduction to Practice Requirement
  • Provide for Advisory Opinion Panels
  • Losing Patentee Pays
  • Expand Right to Seek Declaratory Judgments
  • Exclude IP from Trade Negotiations
  • Increase the threshold for obtaining a patent
  • Increase patent filing fees to make it more difficult to obtain a patent
  • Make it easier to challenge a patent’s validity at all stages
  • Require patent applicants to specify exactly what part of their claimed invention is new and what part is “old” (e.g., by the use of European-style “characterized in that “claims)
  • Require patent applicants to do a search and provide an analysis showing why their claimed invention is new and nonobvious (patent attorneys really hate this one)
  • Limit the number of claims
  • Limit the number of continuation applications
  • Remove the presumption of validity that issued patents enjoy
  • Apportion damages to be proportional to the value of the patent

Cuban also suggests getting rid of software patents altogether, which I of course also favor, though I am skeptical of the ability to do this so long as method (process) patents are permitted. He is also in favor of eliminating design patents, which I also agree with.

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Excellent piece by Jeff Tucker from the LFB blog. For related discussion, see my posts:

Does Creativity Alone Create a Special Entitlement?

 · 

A discussion we had last night on Adam V. The Man — Stefan Molyneux and I were guests — kept returning to an idea that we never really had time or space to take on directly, until it was briefly touched on at the end.

The more I think about this, much whole question of intellectual property rights seems to turn on this idea that we own what we create. That sounds very plausible at first. When people celebrate this idea, they talk about the great sculpture who makes a majestic piece of art out of stone, the composer of a symphony, or the lowly woodworker who makes a bench in his garage. They are said to be owners of something new.

Let’s look at a more mundane example. I’m making brownies using a conventional recipe and throw in a dash of bourbon. They turn out to be great. I call them Bourbon Brownies. What do I own in this case? I own those brownies. Why? Because I made them out of ingredients that I own. Because I created them, am I entitled to speak of having created something new that I own? Perhaps in a metaphorical sense. But nothing grants me the special right to a unique ownership right to my create that somehow allows me to extract money from anyone else in the world who adds bourbon to brownies (unless, of course, I appeal to a government bureaucracy to make it possible). I own what I own — the physical brownies I took out of the oven — and nothing more.

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I posted the following on the Mises blog and the Against Monopoly blog a couple years ago. See also here for other posts on trademark; both of these are discussed extensively in episode 93 of the excellent Complete Liberty podcast.

Update: Kinsella, “If you oppose IP you support plagiarism; copying others is fraud or contract breach,” in “Hello! You’ve Been Referred Here Because You’re Wrong About Intellectual Property” (C4SIF)

For other material on Trademark:

Trademark Ain’t So Hot Either…

David–sure, it is understandable why you are “much more favorably inclined towards trademarks than other forms of intellectual property.” As you say, “It seems to me a good thing that it is possible to tell who you are doing business with, and no downside monopoly”. As I noted here, the primary justification for trademark rights is based on the notion of fraud–that the “infringer” is defrauding his customers by misrepresenting his identity and the source of the goods being sold (see pp. 43-44 of my Against Intellectual Property, pp. 59-63 of Reply to Van Dun: Non-Aggression and Title Transfer, p. 34 of A Theory of Contracts: Binding Promises, Title Transfer, and Inalienability).But this analysis would give a cause of action to customers, however, not to the holder of the mark, who is not defrauded. Moreover, it would protect the customer only when there is fraud. For example, neither the customer (nor Rolex) should be able to sue Rolex knock-off companies, because people who buy fake Rolexes for $10 are not being defrauded. They know they are buying a cheap knock-off. But trademark law does give trademark holders–not customers–the right to sue infringers, regardless of whether there is really fraud to the consumer.

So while we can condemn fraudulent sales to customers, this is not what modern trademark law prevents. Modern state-run trademark law is almost as bad as cpoyright and patent, even if it has a less-objectionable core or origin. The fundamental problem with trademark law is that it is state law–it is created and administed by the state, which is a criminal organization. To expect justice from the state is like expecting a cat to bark.

Thus we have trademark rights granted to trademark holders, instead of to customers, the real victims of fraud. Thus we have a statutory scheme establishing an arbitrary, artificial legal system and an inept bureaucracy to construe and enforce it. Thus we have ridiculous extensions of trademark to cover “anti-dilution” rights, much as the term and scope of copyright and patent are gradually increased over time. And thus we have the government’s courts used like trademark’s more infamous cousins, copyright and patent, to stifle competition and squelch free speech. See, e.g., A Bully-Boy Beer Brewer, Straight Talk9th Circuit Appeals Court Says Its Ok To Criticize Trademarks After AllTrademarks and Free SpeechBeemer must be next… (BMW, Trademarks, and the letter “M”)Hypocritical Apple (Trademark); ECJ: “Parmesian” Infringes PDO for “Parmigiano Reggiano”Engadget Mobile Threatened For Using T-Mobile‘s Trademarked Magenta. [continue reading…]

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The tepid mainstream “defenses” of Aaron Swartz

We enemies of copyright are understandably upset by the Aaron Swartz tragedy.1 He was an innocent, heroic Internet freedom activist. He downloaded some files from JSTOR—not a real crime by any reasonable standard of justice—and then his Javert-like federal persecutor hounded him and threatened him with decades in a federal cage and a lifetime as a federal felon. Faced with the onslaught of our Kafkaesque “justice” system, Swartz ended his life, in a sad yet heroic act of defiance. I can’t say “good for him” because I weep for his anguish, his torment. But he gave the feds the finger, in his own way. (Federal copyright persecution leads RSS co-author and anti-SOPA activist Aaron Swartz to kill himself.)

This tragedy was caused not by “overzealous” prosecutors but by copyright law itself. Without copyright law, Swartz’s actions would not even have been a breach of contract, much less a crime.

So it is a bit galling to see people bemoaning the Swartz tragedy while still supporting copyright law. Sure, most of them support copyright “reform,” but they do not call for its abolition. Case in point: Tim Lee and Lawrence Lessig: “some punishment” of Swartz was “appropriate”. Ah, I see. “Some punishment” was “appropriate”—and we need “some” copyright, and thus, “some” penalties—but this crazy prosecutor went “too far”! She was unreasonable. It’s her fault! If only she had interpreted the evil copyright statute in a more reasonable way.

It’s almost like conspiracy theorizing: 9/11 was caused by some inner cabal of cigar-chompers; implying that if we could only identify these shadowy characters and expose their machinations, all would be well. Conspiratorialists cannot accept that the system itself is the problem. As Burke said, “The thing! the thing itself is the abuse!”

Likewise, people who support the state’s existence, its right to legislate, and, indeed, its legislated imposition of a copyright scheme, cannot blame copyright itself for tragedies like the Swartz case. Or Richard O’Dwyer, the British student facing extradition for having the wrong links on his site. Or the 37-year-old man imprisoned for 15 years for piracy. Or the Six Year Federal Prison Sentence for Copyright Infringement. Or the Man sentenced to federal prison for uploading “Wolverine” movie. Or the potentially millions of dollars of statutory copyright liability faced by Jammie Thomas for sharing 24 songs.  Or Kim dotcom’s arrest, in a raid by dozens of New Zealand police, orchestrated by the FBI. Or the criminalization of unlocking one’s own cell phone ($500,000 in fines and up to 5 years in prison … for the first offense). Or the threats posed to innovative new businesses, like Pinterest, by copyright. Or dozens of cases of outright censorship in the name of copyright. Or the possible banning of sales or library lending of used books published outside the US.  Not to mention the threat to Internet freedom posed by SOPA and ACTA.

No, the copyright reformers and moderates can’t strike at the root. Instead, they have to point to “abuse” of the system, and “unreasonable” or “overzealous” prosecutors. And, of course, they call for “reform” of the copyright system at the same time. But only reasonable reform, mind you. Nothing radical, like repealing the hideous, monstrous state-run apparatus of thought control that is copyright.

And so we have libertarians like Cathy Young opposing SOPA, but not opposing copyright, and various copyright reformers like Lee and Lessig who criticize the prosecution of Swartz, while admitting he deserved some punishment—copyright is the law, and he did break the law, and, well, we need some copyright. Don’t we?

I was reminded of all this by a The Nation article, Government Persecution, From Aaron Swartz to Bradley Manning. The left are no better on IP than the right are; they are all patent and copyright fascists, so they have no grounds to act superior here. You don’t hear the democrats and leftists, who pretend to be “liberals,” calling for abolition of patent or copyright. No; they are all for the censorship of government issued copyright, and the misery that it causes. The Nation piece says:

Dean Baker estimates that reforming the patent law regime for pharmaceuticals—currently a system that guarantees Big Pharma’s monopolies—would shrink annual spending on prescription drugs from $300 billion to $30 billion, a savings some five times the annual cost of Bush’s tax cut for the richest 2 percent. Meanwhile, grotesquely prolonged copyrights for literary and artistic properties are fencing off the cultural commons, a boot on the throat of a generation’s creative voice.

Yet Dean Baker is no opponent of copyright or patent or federal or state power. As I noted in The Economist: Copyright Is An Antiquated Relic That Has No Place In The Digital Ages, Baker is not opposed to state-granted intellectual property, though he does toy with the idea of using taxpayer funded multibillion-dollar “artistic freedom vouchers” to promote artistic creation as some kind of improvement on copyright, and $30 billion/year in taxpayer funded subsidies for medical innovation. He’s also bad on §230 reform.

And speaking of patents, we see the same pattern played out as with copyright. Patents impose hundreds of billions of dollars of cost on the economy and impede and distort innovation and competition; patent literally kill people (millions of people have died from AIDS in Africa because Big Pharma and the US have blocked generic drugs in the name of patents; by making cars less safe; by denying lifesaving drugs to people with Fabry disease); patents even impose censorship, and are threatening the entire industry of podcasting; patents give rise to free trade restrictions by blocking drug reimportation.

And yet many libertarians and free market proponents blame these things on abuse of the law by inept or corrupt government officials, or on distortion of the law by special interest groups; they cannot bring themselves to make the glaringly obvious and simple diagnosis that all these evils are a perfectly predictable outcome of patent and copyright per se. For then they might have to take a—heavens to Betsy!radical (read: principled) position on IP.

It is truly mind boggling that supporters of free markets and libertarianism would ever support any degree of patent or copyright law, or, even if they mistakenly once thought such systems were compatible with free markets, that they would continue to support IP even now, when they cannot help but see the death and devastation wrought by IP.

The problem is not abuse of patent and copyright law; the problem is IP  itself. The solution is not to improve or reform copyright and patent. It is to abolish them. Every defender of liberty should see this.

  1. See, e.g., Jeffrey A. Tucker, “Aaron Swartz, Hero and Martyr,” in Liberty.me: Freedom Is a Do-It-Yourself Project (Liberty.me, 2014); also here. []
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jefftucker

Jeff Tucker of Laissez Faire Books is giving a free Webinar this afternoon: “Commerce and the Commons: How Enterprise Will Survive and Thrive the Death of Intellectual Property“. This event is sponsored by European Students For Liberty, and appears to be open to anyone. Info below:

Tuesday, January 29, at 20:00-21:00 CET/2:00PM-3:00PM EDT

Where? On your Computer!

Speaker:  Jeffrey Tucker

Topic: Commerce and the Commons: How Enterprise Will Survive and Thrive the Death of Intellectual Property

Register here: https://www2.gotomeeting.com/register/882656282

Intellectual Property Rights have always been a hot topic among libertarians. One of the main arguments in favor is the belief that these rights are essential for entrepreneurship. Businesses wouldn’t be able to innovate without the financial fruits of their intellectual labor. But exactly how essential is intellectual property in this regard? Would an end of these rights mean an end of commerce? Or the reverse? Find out during this upcoming webinar!

Jeffrey Tucker is executive editor of the newly refurbished Laissez Faire Books, a leading publisher of libertarian books, and founder and head of the Laissez Faire Club. He also author of Bourbon for Breakfast (2010), It’s a Jetsons World (2011), and Beautiful Anarchy (2012).

 

[TLS]

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Over at Decline to State (where I recently did a podcast on IP and other topics, which should be released presently), a recent blog post by one “Aneirin” criticizes my IP arguments. Unlike most arguments for IP (or against IP abolitionism), this guy seems sincere, civil, good-willed, and actually interested in truth. I don’t agree with his arguments, but the mistakes he makes (in my view) seem not to  be the result of dishonesty or malice or stubbornness, which cannot be said of most IP proponents. Not time to respond in detail to this right now, but those familiar with my Rothbardian-Hoppean-Misesian anarcho-capitalist view of rights will probably be able to guess what I think is wrong with Aneirin’s approach—

Update: see below for a few quick responses:

In opposition to the “natural rights” arguments against intellectual property

by Aneirin — last modified Jan 26, 2013 02:10 AM
A subjectivist critique of the deontological “natural rights” view of intellectual property (IP), and including some claims about the validity of ethics in general.

Within libertarian circles, opposition to intellectual property has become more popular in recent years, and among anarcho-capitalists is almost certainly the majority position. While some of the earlier anarcho-capitalist literature (e.g. Linda and Morris Tannehill’s The Market for Liberty) endorsed IP with the assumption that it was a necessary propertarian institution, the works of N. Stephan Kinsella and others have been instrumental in making the “natural rights”-based arguments which characterize IP as inconsistent with libertarian conceptions of property.

Here I will attempt to demonstrate that these arguments are plagued by inconsistency and beg the question with regard to the definition of property. My claims, while not novel in all respects, hopefully will present some important insights into the nature of property rights in libertarianism.

The Scarcity Theory of Property
To avoid the possibility of “strawmanning” these claims, I will produce the following quotation (from Kinsella’sAgainst Intellectual Property, pp. 28-9), which characterizes a common anti-IP argument regarding scarcity and the role of property: [continue reading…]

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Mossoff: “Convincing the Intellectual Property Skeptic”

An Objectivist friend passed on to me the news that the pro-IP Objectivist law professor Adam Mossoff1 is giving a speech called “Convincing the Intellectual Property Skeptic” at the 2013 Objectivist Summer Conference (“OCON”) event in Chicago this summer, as can be seen on p. 4 of the Jan. 2013 ARI newsletter Impact.

My guess is that as more and more young people, libertarians2 and even Objectivists turn against IP [as mentioned in my posts Yet another Randian recants on IP and An Objectivist Recants on IP, the latter of is discussed in detail in an interesting podcast I just learned about, “Complete Liberty,” Episode 98 – Copyright versus property rights, anti-IP Objectivism, contradictory logorights], the few remaining free market proponents of IP are increasingly worried and mounting a rearguard defense of it. I am sure libertarians and Objectivists like Mossoff, Richard Epstein, etc., routinely hear younger libertarians very skeptical of IP, if not for outright abolition, and they know the case mounted for IP to date does not satisfy them. Rand’s defense of IP is a strange combination of property rhetoric mixed with utilitarian considerations, and ad hoc, arbitrary term limits; Epstein’s defense is outright utilitarian but bereft of any real empirical evidence to make the IP case. Mossoff probably sees that the existing Objectivist arguments for IP are wanting, and is trying to patch things up. This is how I became an IP skeptic/abolitionist: I attempted for years to find a way to justify IP that improved on Rand’s deeply flawed arguments, until I finally realized why I was unable to find such a defense: IP is unjustified and totally incompatible with free markets and property rights.

  1. Objectivists: “All Property is Intellectual Property”Classifying Patent and Copyright Law as “Property”: So What?Mossoff: Patent Law Really Is as Straightforward as Real Estate Law. []
  2. The Death Throes of Pro-IP LibertarianismThere are No Good Arguments for Intellectual Property; Intellectual Nonsense: Fallacious Arguments for IP (Libertopia 2012). []
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From StephanKinsella.com:

KOL003 | Prometheus Unbound Interview (intellectual property; science fiction)

by STEPHAN KINSELLA on JANUARY 25, 2013

in CULTURE,INTELLECTUAL PROPERTY

Kinsella on Liberty Podcast: Episode 003.

I was interviewed recently by my friend and The Libertarian Standard co-blogger, libertarian philosopher Geoffrey Allan Plauché, and Matthew Alexander for the inaugural episode of their new Prometheus Unbound Podcast. I’m posting here as KOL episode 003. Since we discussed IP and Geoff and Matthew are both fellow anti-IP anarcho-libertarians, I’m sure they won’t mind! ;) Prometheus Unbound is an original, well-done, and excellent ”webzine featuring news, reviews, interviews, and commentary on speculative fiction and literature from a libertarian perspective.” Libertarians and others who enjoy sci-fi, fantasy, literature, etc. should subscribe to their podcast feed.

… “at about 23:15 in, we dove into the meat of the interview. Stephan explained the historical origin of copyright (censorship) and patents (government grants of monopoly privilege, which is what copyright is now too really), how intellectual property has shaped and distorted the film and publishing industries, including Hollywood’s move to California to avoid patent disputes, and why reform is not enough. We also discussed how the Digital Age — the age of the internet, smartphone, ereader, and globalization — is making the evils of copyright and patents more obvious and acute while at the same time undermining traditional business models built around intellectual property. And finally, we explore ways artistic creators might earn a living in a world without intellectual property laws.”

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Podcast: Jeffrey Tucker smashes intellectual property law

Nice overview of some recent appearances by Jeff Tucker, on the Peter Schiff show (guest host Tom Woods) and elsewhere–

Podcast: Jeffrey Tucker smashes intellectual property law

Posted by 
Clip 1 – Jeffrey Tucker and Saroj Rout smash conventional wisdom on IP [ 20 min 15 s ] Hide Player | Play in Popup | Download
The Economy [40] [ 27 min 22 s ] Hide Player | Play in Popup | Download

Intellectual property debate – @JeffreyATucker smashes conventional wisdom@LaissezFaireBks @SchiffRadio #freeadvertising

 

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Launching the Kinsella on Liberty Podcast

Kinsella On Liberty

As many of my readers know, I often lecture and speak and give podcast or radio interviews on various libertarian topics and issues, such as intellectual property (IP), anarcho-libertarians, Austrian law and economic, contract theory, rights and punishment theory, and so on. I also blog and comment regularly on such matters in various blogs (primarily The Libertarian Standard, on general libertarian matters, and C4SIF, on IP-related matters), Facebook, and so on—often posting my take on a given issue in response to a question emailed to me or posted online.

This month I am launching a new podcast, Kinsella on Liberty. I expect to post episodes once or twice a week. The podcast will include new episodes covering  answers to questions emailed to me (feel free to ask me to address any issue of libertarian theory or application) as well as interviews or discussions I conduct with other libertarians. I’ll also include in the feed any new speeches or interviews of mine that appear on other podcasts or fora, as well as older speeches, interviews, and audio versions  of my articles, which  are collected for now on my media page). Audio and slides for several of my Mises Academy courses may also be found on my media page, and will also be included in the podcast feed later this year.

Feel free to iTunesSubscribe in iTunes or RSSFollow with RSS, and spread the word to your libertarian friends. I welcome questions for possible coverage in the podcast, as well as any criticism, suggestions for improvement, or other feedback.

My general approach to libertarian matters is Austrian, anarchist, and propertarian, influenced heavily by the thought of Ludwig von Mises, Murray N. Rothbard, and Hans-Hermann Hoppe. My writing can be found in articles here and blog posts at The Libertarian Standard and C4SIF, such as:

On IP in particular, which I’ll also cover from time to time in the podcast, see:

[SK; TLS; PFS]

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My reddit “ask me anything”

Just trying out reddit: I created an AMA, Ask Me Anything entry. Will be interesting to see how it goes–

I am Stephan Kinsella, a patent attorney and Austrian economics and anarchist libertarian writer who thinks patent and copyright should be abolished. AMA (self.IAmA)

submitted  ago by nskinsella

I’m a practicing patent lawyer, and have written and spoken a good deal on libertarian and free market topics. I founded and am executive editor of Libertarian Papers (http://www.libertarianpapers.org/), and director of Center for the Study of Innovative Freedom (https://c4sif.org/). I am a follower of the Austrian school of economics (as exemplified by Mises, Rothbard, and Hoppe) and anarchist libertarian propertarianism, as exemplified by Rothbard and Hoppe. I believe in reason, individualism, the free market, technology, and society, and think the state is evil and should be abolished.

I also believe intellectual property (patent and copyright) is completely unjust, statist, protectionist, and utterly incompatible with private property rights, capitalism, and the free market, and should not be reformed, but abolished.

Ask me anything.

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As noted in a recent Techdirt post, Jonathan Coulton Publicly Shames Fox For Copying His Arrangement In Glee, the Indie singer Jonathan Coulton produced his own version of a previous  Sir Mix-a-Lot’s “Baby Got Back”. As noted in this Slate piece, a very similar version was then scheduled to be used in an upcoming episode of the TV show Glee. The similarities were noticed when it was unofficially leaked before the airing of the show. Coulton then complained on Twitter that Fox “never even contacted me.” There seem to be a couple of assumptions being made by Coulton and others commenting on the case: one about copyright law; another about right and wrong.

The copyright issues are laid out in the Slate piece, but somewhat mangled:

An arrangement like Coulton’s is technically called a “derivative work,” because it is based on a pre-existing “original work” (Sir Mix-A-Lot’s original rap song). In order to create his arrangement and sell it, Coulton obtained a compulsory (or “statutory”) license from the copyright holder, the Harry Fox Agency. Coulton himself does not own the rights to Mix-A-Lot’s lyrics, of course, but, according to the U.S. Copyright Office, “the copyright of a derivative work covers … the additions, changes, or other new material appearing for the first time in the work.”

Even if Fox got permission for the Glee cover of “Baby Got Back” from Harry Fox (which they undoubtedly did), they are also required to seek permission from Coulton for use of his “additions”—chords, phrasings, rhythms, and so on—that make his arrangement unique (and choir-boy friendly). Of course, he’d have to prove in court that the two arrangements are, in fact identical, but, to our (admittedly non-expert) ears, there’s very little question. Fox owes Coulton at least an apology—and probably a check, as well.

This analysis is not quite right (I believe): Glee‘s cover of Coulton’s version need not be identical to infringe his copyright; after all,  Coulton’s own cover of the original version was not identical to it yet still required a license in order to avoid copyright infringement.

The assumption here is that Fox has infringed copyright and has done something wrong—though it’s not clear exactly what the wrong was: Coulton’s complaint implies that Fox’s mistake was not contacting him first; others imply that using it without giving him attribution was wrong (see, e.g., the comments by Andy Ihnatko in the most recent episode of This Week in Tech [TWiT]); Masnick implies Fox has been a “bad actor” here.

As for the copyright issue: as Slate notes, Glee very likely already got a license for use of the original, just as Coulton himself did. I am not clear on whether they might have also acquired a compulsory license for Coulton’s arrangement without Coulton himself being contacted, but even if they did not, as suggested on TWiT, their tactic might be to use the song and wait for people to ding them afterwards, at which time they would pay the requested royalty.

In any case, copyright is itself wrong, so even if there was copyright infringement here, that does not imply that anything “wrong” was done.

As for complaints that Coulton did not receive attribution: well as far as I know the Glee episode featuring the song has not even aired yet, so it’s not yet known whether there is attribution in the credits.

But in my view, even if there was no attribution credit given, there is still nothing wrong whatsoever here. It’s not as if the producers of Glee are being dishonest and claiming to have come up with the arrangement on their own; there is no “plagiarism” going on here.

In the TWiT discussion about this—which ironically follows a discussion of how a prosecutor’s use of copyright law threats against Aaron Swartz drove him to suicide—Andy Ihnatko bizarrely claims that this has somehow harmed Coulton, even though Glee is seen by millions and this is no doubt great PR for the marginally known Coulton. Why? Because if Coulton performs his own version of the song in a concert, people might think he copied it from Glee. Even … though … we all know that they copied it from him. I don’t get this reasoning. Does Ihnatko think only he knows about this? He is discussing a public story. That is, Coulton’s authorship of the version is already publicly known. Coulton had no trouble demonstrating this. (This is also one reason why copyright proponents’ worries about plagiarism are off-base; not only does plagiarism have nothing to do with copyright infringement, but plagiarism is not a major problem; anyone plagiarized will easily be able to prove they authored the work first.)

In a free society, with no copyright law, in my view there is no ethical or moral obligation whatsoever to ask permission of an artist to use or copy or reuse or remix their earlier work, nor even to provide attribution credit. The only obligation is to be honest: not to dishonestly claim original authorship. But merely singing or performing someone else’s song does not mean the singer is claiming to have originated it. As for attribution: sometimes it’s called for, according to context, just as footnotes are expected in a law review article, but not in an email to a friend, but this is more a matter of scholarly protocols than morality.

Copyright law is not only evil for the direct damage it does to individual lives, but because it has distorted our entire culture and makes people think of copying as wrong. It is not wrong at all. Copying is good. Learning is good. There is nothing whatsoever wrong with learning, emulating, remixing, competing. Copyright law has confused the whole world, deluded almost everyone into thinking something harmless and natural, is somehow icky and bad. How sad.

Update: A version of this was published at LFB

It’s Not Evil to Copy

Update: Turns out Coulton may be guilty of copyright infringement after whining about Fox copying him: From Techdirt:

“he paid the compulsory license to cover the song via the Harry Fox Agency. Doing so means that he agreed(pdf) to abide by Section 115 of the Copyright Act.

What’s that? Well, check it out here. Here’s the relevant part for our discussion:

A compulsory license includes the privilege of making a musical arrangement of the work to the extent necessary to conform it to the style or manner of interpretation of the performance involved, but the arrangement shall not change the basic melody or fundamental character of the work, and shall not be subject to protection as a derivative work under this title, except with the express consent of the copyright owner.

Previously, we and many others had suggested that the changes that what Coulton had made could possibly be protected as unique creative works. However, he more or less gave up that claim when he used the statutory license, rather than doing a direct deal with Sir Mix A Lot, or whoever else holds the rights on the song. That also means, however, that Coulton did not live up to Section 115 and his cover, in all likelihood, violates the original copyrights, because the license he got does not cover the very different arrangement and melody he created. “

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